![]() Not sure I’ll get around to that part this year, first the system needs to be up and running reliably before I go and break it again.The MarketWatch News Department was not involved in the creation of this content. I’m thinking about adding at least a couple of moisture sensors for some of the more sensitive plants to ensure that they get the appropriate amount of water but not more than necessary. Rain sensors are not really helpful out here as it hardly ever rains during irrigation season. Once it’s all up and running I’ll look into adding some sensors for a bit more fine-grained control over the system. ![]() Given that the controller is “headless” I’m tempted to hide it away out of sight and just run Ethernet and 24V power to it. This will require fixing up some of the wiring issues and will also have to tie in with my project of running some Ethernet wiring around the house unless I decide to go wireless for the sprinkler controller. The next step after getting the hardware is to run convert the existing system to run off the new controller with some additional wiring to be able to control all zones individually. Apparently the fact that the water pressure wasn’t high enough to run two zones at the same time fell in the category of “not giving a shit”. There is already open source software for them that covers the normal requirements and either of them can control enough valves for our current needs without resorting to genius solutions like running two valves off the same controller output because someone installed a wiring loom that is one wire short of being able to control all valves individually. ![]() The good thing about the various OpenSprinkler systems is that they have the 24V to 5V converter on board so the power supply isn’t a problem. I’m not sure that the system is powerful to run either, but one can dream. I’m planning to order the Raspberry Pi version as one of the nice touches is that the Raspbian repository has packages for the Java JDK, which gives me bad ideas of hacking parts of the sprinkler system in Clojure or Armed Bear Common Lisp. ![]() A bit more poking around the web led me to the various OpenSprinkler modules ( standalone, Raspberry Pi shield and BeagleBone cape) and they look ideal for what I have in mind. The original plan was to get a Raspberry Pi or a BeagleBone with relay shield/cape and drive the sprinkler valves that way. I’m comfortable with Unix type OSs (obviously) and with seemingly the world and their dogs releasing small, low power consumption embedded Linux devices I figured one of them would be perfect. Time to fix that.įirst step was researching hardware. I’ve spent a lot of last year’s “gardening hours” just trying to make it work somewhat. OK, to be blunt they seem to have failed the “giving a shit” test when they put the system together. It doesn’t help that the people who set up the sprinklers were probably among the lower bidders, to put it politely. ![]() I’m all for it - water being a finite resource and all that - and I want to improve our existing sprinkler system at the same time. We do live at the edge of the desert and we have pretty strict watering restrictions here. This one is different, because no self-respecting geek would want the usual rotary control “programmable” timer to run their sprinkler system, would they? I normally don’t play much with hardware, mainly because there isn’t/wasn’t much I want to do that tends to require hardware that’s not a regular PC or maybe a phone or tablet. ![]()
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In addition, a role for B-type ARRs in mediating cross talk with other pathways is supported by the resistance of 35S:ARR1-SRDX seeds to phytochrome B-mediated inhibition of germination by far-red light. Collectively, the suppression of pleiotropic cytokinin activities by a dominant repressor version of a B-type ARR indicates that this protein family is involved in mediating most, if not all, of the cytokinin activities in Arabidopsis. The transcript levels of more than 500 genes were more than 2.5-fold reduced in 35S:ARR1-SRDX transgenic seedlings, suggesting a broad function of B-type ARRs. The rapid induction of a large part of the cytokinin response genes was dampened. Comparatively, rice has more DLN repressor encoding genes than Arabidopsis, and DLNSPP motif from rice is 40 stronger than the known Arabidopsis SRDX motif. Several bioassays showed that 35S:ARR1-SRDX plants have an increased resistance toward cytokinin. 35S:ARR1-SRDX transgenic Arabidopsis plants showed phenotypic changes reminiscent of plants with a reduced cytokinin status, such as a strongly reduced leaf size, an enhanced root system, and larger seeds. In a protoplast test system, ARR1-SRDX suppressed ARR6:β-glucuronidase reporter gene activation by different B-type ARRs. We generated a dominant repressor version of the Arabidopsis (Arabidopsis thaliana) response regulator ARR1 (ARR1-SRDX) using chimeric repressor silencing technology in order to study the extent of the contribution of B-type response regulators to cytokinin activities. In planta functional analysis of this family is hampered by the high level of functional redundancy of its 11 members. One component of this system are B-type response regulators, transcription factors mediating at least part of the response to cytokinin. The signal transduction of the phytohormone cytokinin is mediated by a multistep histidine-to-aspartate phosphorelay system. ![]() ![]() Here it’s ritualistic and inhuman torture by zealot Jeremiah Ketcham, which gives the film its repeated “Catch ‘em / Kill ‘em” tagline. The film also falls back on the tired trope that the house is a site of an Indigenous massacre. This new creation for the film has the now familiar long dark hair and veiny complexion (there’s a clear visual connection between Jodie and Alessa in Christophe Gans’ 2006 adaptation of Silent Hill) and Kosar packs the film with (often pedestrian) jump scares involving the spooky ghost girl. Isabel Conner plays Jodie DeFeo, who is alternately a victim of the house’s murderous rampage, as well as a manipulative entity who repeatedly puts Chelsea in danger. The influence of both Michael Bay’s TCM remake, as well as Gore Verbinski’s 2002 J-horror The Ring remake, is evident in both the rapid-fire editing and, more specifically, the visual depiction of the Amityville ghosts. His behaviour is extreme, even for the condensed runtime of the film (the Lutz family famously only lasted a month in the house, but in the remake George shows symptoms of madness from day 1). Screenwriter Scott Kosar wastes no time highlighting its effect on George, who frequently comments on the cold and has recurring dreams of the DeFeo murders that open the film. That tension is obviously exacerbated by the demonic entity living in their new house. Kathy’s three children – oldest Billy ( Jesse James), middle child Michael ( Jimmy Bennett) and youngest Chelsea ( Chlo ë Grace Moretz, in her film debut) – are all reeling from the death of their father and although Kathy and George clarify nothing will replace the original patriarch, there’s still tension between the kids and their new stepfather. The 2005 film exists principally to reintroduce the “true” story of newlyweds George ( Ryan Reynolds) and Kathy Lutz ( Melissa George) as they move into the “too good to be true” home with the iconic eye windows. The Amityville Horror remake doesn’t offer much new storytelling because it is, first and foremost, a reboot of the 1979 original. It’s MTV music video chic by way of Se7en. This isn’t your mother’s true crime story this is amped up, gritty, and slightly desaturated-looking. This is clearly visible from the opening murder montage of director Andrew Douglas’ film: staccato editing of grainy archival footage set to an industrial score. TCM 2003 set the precedent for the look and tone of many of the aughts remakes. ![]() (For more on the well-documented trend, check out Bloody’s editorial series ‘ Revenge of the Remakes’). This was thanks, in large part, to the success of Platinum Dunes’ 2003 remake of The Texas Chainsaw Massacre which kicked off a wave of horror remakes. Nearly a decade after the last DTV entry, The Amityville Horrorfinally returned to theaters. Twice a month Joe Lipsett will dissect a new Amityville Horror film to explore how the “franchise” has evolved in increasingly ludicrous directions. ![]() ![]() ![]() Internal applications, then our B2B based Bizapedia Pro API™ might be the answer for you. Activities are varied with something for everyone. It has 7 beds, 5 bathrooms, and is 2,716 square feet. 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Mitchell’s lawyer said she consistently denied the allegations. ![]() Prison officials had earlier investigated Mitchell for a suspected relationship with Sweat during the past year, but no action was taken against her at the time. Mitchell, 51, has pleaded not guilty to promoting prison contraband and criminal facilitation. ![]() “They had total faith that she was going to pick them up at the manhole at midnight, and when she got cold feet and didn’t show up, they had to regroup, they had no plan,” New York State Police Superintendent Joseph A. A few years later, Matt, who had finally been brought to justice for killing 76-year-old William Rickerson, joined him. Sweat ended up at the prison in 2003 after pleading guilty to killing Broome County Sheriff’s Deputy Kevin Tarsia to avoid the death penalty, which was still in effect in New York at the time. Their bond formed inside the maximum security prison in Dannemora, New York, where Sweat, 34, and Matt, 48, were close buddies. Charles Guess told ABC News’ “20/20.”Īfter he was captured, Sweat, sitting in a hospital bed in Albany recovering from gunshot wounds and a collapsed lung, began telling police the story of his and Matt’s June 6 escape from Clinton Correctional Facility, investigators say, and explained how they dodged the 1,600 members of law enforcement Guess had pulled from 11 different agencies all over the country to find them. “Sweat seemed to be the mastermind, not only of the escape, but the leader, if you will, when he got out,” New York State Police Maj. — - Almost immediately after his capture, convicted murderer David Sweat bragged to police that the escape plan that led to a three-week-long nationwide manhunt for him and fellow convict Richard Matt was all his idea, according to authorities. ![]() ![]() Backline gear that is used heavily will need regular maintenance to ensure that it provides reliable performance. As such, an emerging band's backline "technical specifications" request as part of its contract may only ask venue managers for general types of equipment, while a top touring band's contract rider may specify, for example, an Ampeg SVT Pro bass amplifier and 8x10" Ampeg cabinet for the bassist and a Fender Bandmaster amp head and a Fender 4x10" speaker cabinet for the electric guitarist.īackline guitar technicians, audio technicians and stage crew set up and put away the backline equipment. An emerging group on its first small club tour will not usually have the negotiating leverage to request specific brands and models of backline gear. Top bands may have very specific backline requirements, including a list of amplifiers and instruments, but also the brand names and model numbers. The Black Crowes at the Hammerstein Ballroom. Having professional backline gear means that the sound engineers do not have to deal with modest-quality amps, which may have ground loops, hum or noise, or produce unintended clipping when the amp is pushed to its maximum volume. Another issue is that some bands may travel to a country or continent which uses a different type of AC mains power and differently-shaped electric plugs.įestivals and venues provide backline gear because it speeds up the process of changing bands on a stage, because the gear does not have to be moved on and off the stage and then soundchecked again. In some countries, all electronic and electric gear needs documentation and certification by an electrical expert before it can be brought into the country. Many travelling musicians prefer not to transport their own gear across borders and continents for fear of damage or customs hassles. Modern monitoring techniques, in which monitor speakers pointing at the performers are placed on the stage, as well as the concepts of frontline and backline, developed during this era.īackline equipment can be rented for concert tours. During this era, the backline gear was set behind the PA speakers to create the modern audio stage set-up. This changed over the 1970s and 1980s, as PA systems became powerful enough to amplify all of the band's instruments and the vocals. Guitarists used one or two 4x12 cabinets, referred to, respectively, as a half stack or (full) stack.ĭuring the 1960s, the PA speakers and the band's amplification were all set in a line, which conceptually grouped PA and instrument amplification together. A standard cabinet used by bassists during this era was the heavy 8x10 cabinet, which contains eight ten-inch speakers. To achieve venue-filling sound with their instruments, bands from the 1960s typically used large, powerful guitar "stacks" and big speaker enclosures. As a result, the rhythm section musicians playing electric guitar, electric bass and keyboards were expected to produce enough volume to fill the venue using their own instrument amplifiers. ![]() As a result, 1960s rock bands typically used the PA system just for the vocals, even if they were playing at a large venue. In rock music's early days in the early 1960s, PA systems were not very loud or powerful. The main speakers facing the audience are sometimes referred to as " front of house speakers". Speakers placed at the front of the stage facing the performers are also known as monitor speakers or "foldback". Such equipment is often rented or leased by the band or their management, or provided by the venue. ![]() ![]() The term backline is used in popular music and sound reinforcement system contexts to refer to electronic audio amplification equipment and speaker enclosures that are placed behind the band or the rhythm section on stage, including amplifiers and speaker cabinets for guitars, bass guitars and keyboards. ![]() The backline gear, including an 8x10" bass speaker cabinet, drums, and several powerful guitar amps, can be seen behind the two musicians in the front of the stage. Canadian band Bedouin Soundclash performing. ![]() |
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